Michael Campbell, a.k.a. Mikey Dread is one of the most influential performers and innovators in reggae music. His abilities, technical expertise, and unique vocal delivery combine to create a unique sound that tells the listener emphatically that it is the “Dread at the Controls.” Perhaps Mikey’s work with The Clash has garnered him with the most recognition, but his credentials and resume started long before his eye-opening production on several releases with the renowned Punk Stars from London. His work and interaction with The Clash was a significant event in the integration of reggae into popular music throughout the world. The album, “Black Market Clash”, is a brilliant fusion of late 1970’s punk rock and a heavy reggae bass and drum line. The reggae aspect of The Clash’s album distinguished their sound from the other punks that emerged in the 1970’s. Soon thereafter, it was a must for just about every punk band to have a reggae cover song on their album. Mikey was the first Producer ever to produce a UK chart hit for The Clash” Bank Robber” and later produced several reggae cuts on their internationally recognized Album “Sandinista.” Mikey’s avid interest in reggae music led him to acquire an immense collection of crucial vinyl which he used to gain notoriety as a young DJ and audio engineer with the Jamaica Broadcasting Corporation (JBC) where he began his broadcasting career in 1976. There he developed his own unique broadcasting style, which has been adopted by virtually every reggae radio show in Jamaica and the world today. His radio show, which became known as “Dread at the Controls,” was firmly established as the Number One Radio Show in Jamaica. Mikey was awarded Top Radio Personality of the Year in 1977-1978.